I like the Royal Shakespeare Theatre and the Swan Theatre as both are striking spaces with thrust stages and galleries combining modernity with the traditional form of Elizabethan theatres such as The Swan Theatre in Southwark, London, 1596 .
I Watched ‘Love for Love’, A William Congreve play, in the Swan theatre from gallery two. Although the galleries allow more people to see the performance and cheaper tickets, it was uncomfortable and we had to lean right over the balcony to be able to see the whole stage and even then sight lines were obscured. So as much as I like the idea of these open spaced theatres, they don’t provide clear view of the performance.
On a positive note, It made me consider the challenges I’d face as a designer. The lighting designer spoke to us about lighting the actors so that they could still be seen in the galleries. In ‘Love for Love’ gauze was used which I liked because it’s transparent quality allowed us to see behind it. The door used was stand-alone, also allowing the audience to see behind, adding to the comical nature of the play.